Lithuania, second half of the 17th c.
Church of Saints Peter and Paul the Apostles in Vilnius.
17th c. Golden floral Baroque
In the 17th century, the theme of the suffering of Christ in church art gave way to the idea of praising the glory of God with grandeur and sensuality, glitter of gold and richness of details. However, the greatest change in the decoration of liturgical vestments was the so far unprecedented dominance of floral ornaments. Liturgical vestments turned into magnificent flower gardens almost devoid of religious symbols.
The chasuble is the central vestment for the Holy Mass worn by a priest over all the other parts of liturgical clothing. Originating from a Roman conical cloak protecting from cold, it has retained its form throughout the Middle Ages. Its sides gradually became shorter allowing more freedom of movement, until it became similar to a magnificent shield. The 19th–20th century liturgical movements returned the ancient form of a cloak to the chasuble.